The Acton sew-along : How to attach the bodice to the skirt (view A)

Over the last couple of days, I have shown you how to assemble the bodice and skirt of the Acton (view A). In today's post for the Acton sew-along, we'll be attaching the bodice to the skirt.

Line up the side seams

Take the bodice and skirt and match them together with right sides together. Start by matching the side seams. The side seams meet at different angles, so you will want to start by ensuring they line up at the point where you will stitch the bodice to the skirt (this position is different to wear the seams meet at the cut edge).

To do this, measure down the side seam on the bodice, and mark the stitch line, which is 1.2cm (½in) down, with a horizontal pin. 

Use a second pin to push through the side seam on the bodice (at the position you just marked) and then through the side seam of the skirt, aligning the two seams at the point they will be stitched. Secure with a pin. Check that the seam allowance on the skirt side seam is still pressed towards the front.

Now that you know that the side seams are aligned, pin the bodice to the skirt on just one side, working from the centre back to the centre front. Use the notches and seam lines to guide you. The opening at the bottom of the centre front line should match up with the drill hole on the centre front of the skirt.

With a 1.2cm (½in) seam allowance, stitch the bodice to the skirt, being careful to start or finish (depending on which end you start stitching at) your row of stitching right at the centre front seam on the bodice.

Repeat the previous steps for the second side, remembering to carefully match the sides seams on the bodice and skirt first.

Press the seam allowance up towards the bodice. This seam does not need to be finished as it will be enclosed within the bodice lining (unless your fabric is prone to fraying).

Job done! The bodice and skirt have now become a dress. In the coming days we'll create the straps and insert the zip. It's really coming together now!

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The Acton-sew along : Sewing in-seam pockets

Hello! Welcome back to the Acton sew-along! Yesterday, we finally got started on our bodice, and today we're onto the skirt. 

View A has in-seam pockets (pockets hidden in the side seams) because I love to put pockets in every dress I can! This post will guide you through inserting the pockets with a standard finish (zig zag or overlocking), if you are using a really soft or flimsy fabric, I would suggest using french seams instead. The process is a little more involved, but you will achieve a really beautiful finish. You can check out that tutorial here. 

If you aren't including pockets in your Acton, you can simple stitch the front and back side seams together with a 1.5cm seam allowance. Finish the seams and press them open. 

Getting started :

Finish the edge of each pocket individually

Take both pairs of IN-SEAM POCKETS and finish the curved edge of each pocket individually, using an overlocker, zig zag stitch or bias binding.

Stitch pockets to front skirt

Take one pair of IN-SEAM POCKET pieces and pin to the FRONT SKIRT (with right sides together) by lining up the straight edge of each pocket with the side seam of the skirt. Stitch from the top of the pocket to the bottom, with a 1.2cm (½in) seam allowance. Finish the side seams - capturing the edge of the pocket, as well as the side seam - using your chosen method.

Stitch pockets to back skirt

Take your BACK SKIRT pieces and place them side-by-side, with the centre back seams next to each other. Take the other pair of IN-SEAM POCKETS and match with the notches on the side seam of the BACK SKIRT pieces, with right sides together. Pin in place and stitch from top to bottom, with a 1.2cm (½in) seam allowance. Finish the side seams - capturing the edge of the pocket, as well as the side seam - using your chosen method.

At this point you can also finish the centre back seams with your chosen method. 

Press each pocket bag away from the body of the skirt. Understitch the seam allowance to the pocket bag on each pocket (this will help keep the pockets on the inside of the dress).

Join front and back skirt

With right sides together, match the SKIRT FRONT to the SKIRT BACK at each side seam. Pin in place, around the pocket and then continue pinning the rest of the seam.

Stitch along the side seam with a 1.5cm (⅝in) seam allowance, reducing to a 1cm (⅜in) seam allowance around the pocket edge. Pivot to get from the side seam to the pocket edge. Press the seams, and the pocket, towards the skirt front. 

And that's it. Your Acton dress now has pockets! Tomorrow we'll be attaching the skirt to the bodice and all these pieces are really going to start looking like a dress. Yay!

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The Acton sew-along : Construct the bodice (sewing princess seams)

I can't believe that I am saying this, but it is finally time to start sewing today! If you have been following the Acton sew-along, you will know that I have gone through A LOT of alterations (check them out here). When it comes to the Acton, fit is important, and I really wanted you all to feel confident to make any alterations you require. 

But by now, you should have printed the pattern, made the alterations required to the pattern, got some inspiration, cut your fabric and be ready to sew.

We'll be starting with the bodice. You will notice that seam allowances vary in my patterns. This is to help you get a really nice finish. Different seam types require different finishes. For example, when putting in a zip, you will want a 2cm (3/4in) seam allowance, to get a really nice finish, while around an armhole or neckline (which is quite a sharp curve), 1cm (3/8in) will work much better. So be careful to check wjat seam allowance is required for each step. 

Join the centre front bodice pieces

Take the CENTRE FRONT BODICE pieces and pin together, down the centre front, with right sides
together. With a 12mm (1/2in) seam allowance, stitch down from the neckline to the drill hole (the point marked at the bottom of the seam). This little opening at the bottom of the seam will help you get a really nice point, when you join the bodice to the skirt. Repeat for the lining pieces. Seam allowances can be left raw, as the bodice will be fully lined, but if your fabric is prone to fraying, you may choose to overlock the seams (or cut with pinking shears). 

You can press the seam allowances open at this point, or wait to the bodice and lining are constructed and press all at once (I always wait until I have multiple seams to press at the same time, as it can be a big time saver). 

Stitch the princess seams

Pin the SIDE FRONT BODICE pieces to the CENTRE FRONT BODICE (with right sides together), using the notches to guide you. The seam on the CENTRE FRONT BODICE is straight, while the panel line on the SIDE FRONT BODICE piece is curved, so you will need to ease the curved seam into the straight seam. It may seem like the curve is longer than the straight seam, but the stitch lines are the same length, it is just the added seam allowance that changes the length of the seams. Once your panels are nicely pinned, stitch with a 12mm (1/2in) seam allowance. Repeat for the lining.

Assemble the back bodice

Take the SIDE BACK BODICE piece and pin to the CENTRE BACK BODICE, using the notches to guide you. These pattern pieces are quite similar to one another. If you think there is a chance you will mix them up (which could lead to an upside down bodice), put a pin, or chalk mark on the centre back pieces. Stitch seam with a 12mm (1/2in) seam allowance. Repeat for the lining pieces.

With right sides together, pin the front bodice to the back bodice at the side seams, before stitching with a 15mm (5/8in) seam allowance. Repeat for the lining.

Press seams

Press all seams open (on both bodice and lining) - carefully clipping into the princess seams if you feel the need. This is a great time to use a tailor's ham if you have one. It can help you get a nice smooth curve over the bust. 

Once pressed, carefully stay stitch (a line of stitching that is sewn along a shaped - or bias cut - seam to keep it from stretching as a garment is being made)  along the top edge of both the bodice and the lining 6mm (¼in) from the edge. This will mean the stay stitching remains inside the seam allowance (the seam allowance along the armhole / neckline is 1cm / 3/8in). 

Your bodice and lining can be set aside for the moment. Tomorrow we will be moving onto the skirt... starting with attaching the pockets!

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The Acton sew-along : 6 tips for sewing with silk (or other delicate fabrics)

When the Acton pattern was in testing, a few of the testers ran into some problems working with silk (or similar shifty fabrics), which got me thinking that it would be a good idea to do a post in the Acton sew-along with some tips, as there are a number of things you can do to make life a lot easier for yourself when working with silk. 

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1. PRE-WASH YOUR SILK

Just like with any other fabric, you will need to pre-wash your fabric before you get started. Use the method suggested on the fabric label. Some silks will require hand washing, while others will be fine with a cold machine wash. Wash your fabric and then hang it on the line to dry, before giving it a good press (this is a good time to see how your fabric handles being ironed, and whether a pressing cloth will be required when you're sewing). 

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2. Sandwich fabric between thin layers of paper when cutting

This one has probably got a lot of you freaking out already. Yes, I said it... Cut your fabric between layers of paper! I know cutting paper with your fabric scissors is generally a big no-no in the sewing world, but I have been doing this for years (and was taught to do this when studying fashion at university) and my scissors have lived to tell the tale. When working with silk, I think the most important thing is cutting it correctly. If you have ever tried to cut silk without it being sandwiched between papers, you may have realised that it's REALLY difficult. It doesn't want to stay straight, and it is really easy to lose the grain. This leaves you with cut pieces that are not fun to work with. With paper, you can be sure the fabric is on grain, and that you have cut it out correctly (without any of those ragged edges). Convinced you yet?

How to do it...

The way I do it is I take a large sheet of paper (I use "dot and cross" drafting paper) and draw a straight line along one of the long sides and one of the short sides. 

I then take the amount of fabric I need, and tear (if possible) along each cut edge (not the selvedge), if they are not already torn. This helps ensure you have got the fabric on grain. If your fabric does not tear nicely (always good to check on a small scrap of fabric first), instead you can find your cross grain by snipping into the edge of the fabric and then pulling a thread or two down from the cross-wise grain. This will create a straight line that you can cut along. Check out this tutorial from Colette if you need more details on how to do it this way. 

Now, take the fabric and place it on top of the pattern paper, with right side up - lining up one edge (selvedge side) with the horizontal line on the paper (we'll deal with the vertical line soon). Pin in place, being careful to check the edge remains straight between each pin. 

If you are working on the fold (you will cut a pair of each piece), carefully fold the fabric in half, by bringing the opposite selvedge towards you. Line up the selvedge with the pinned edge, and then pin in place (using the original pins, so that the pins are now holding two layers of fabric and a layer of paper). 

Make sure both layers of fabric are also straight on the cross-wise grain (marked with the vertical line on the paper), and pin in place. I generally just pin the two sides, but if you feel it will make things easier for you, you can also pin the other two sides of fabric to the paper.

Gently smooth out any wrinkles or bubbles in the fabric. I use a long plastic ruler to do this. 

Put another layer of paper on top, sandwiching the fabric in between the two layers, before putting pins through all four layers.

Now, place the pattern pieces on top of the paper, and line up the grainline on each pattern piece with the selvedges pinned to the paper. 

I normally just pin the pieces in place and then cut.  If you have your pattern on card, you can simply trace around each piece, and use a few pins to anchor them. You could also use pattern weights instead. Carefully cut into each notch, and mark drill holes / darts (in the case of other patterns) etc. with a tailor's tack, rather than marking the fabric (use this Craftsy tutorial, if you're unsure how to do this). 

Tip

I find it easier to leave the cut pieces between the layers of paper until I'm ready to sew them. This way, they remain protected, but are also much easier to identify. 

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3. Use the right tools

It's really important that, when you are working with silk, you use the right tools. Make sure your scissors are sharp, use sharp pins (or even better, use silk pins), and use the right machine needle. Using a standard machine needle can cause silk to pull - or may not even be able to get through the tightly woven fibers. Use a fine, sharp needle (such as a 60/8 or 70/10) to prevent this from happening. 

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4. If in doubt, hand baste

When sewing with silk, hand basting is your friend. I know many people don't like having to pick up a hand needle and thread, but for me, I'd rather hand sew first, to prevent unpicking later. If your fabric is likely to stretch, and pins aren't going to cut it, then baste the seam before machine-stitching. If you have already made the Acton (or the Rushcutter), you will know that the instructions guide you to hand baste the zip in, before sewing it. You could also hand baste the princess seams, if you are worried that the seam will stretch, 

5. Use a pressing cloth

Before taking to your fabric with the iron, use a small scrap of fabric to check how it takes being pressed. Put your iron on the silk setting and see how it goes. If it looks like it may damage the fabric, use a pressing cloth, 

6. Use tear-away / vilene

When I was at university, as well as in studios doing casual production work, tear-away is used in almost all garments. I am always surprised to hear how few sewers use it. When sewing with flimsy fabric, that is likely to stretch, tear-away helps prevent that from happening. It is particularly useful to use on necklines and armholes.

If you'd like to use tear-away for the neckline / armholes of the Acton, put the SIDE FRONT BODICE and CENTRE FRONT BODICE together as if you have sewn them (stitch line on stitch line).

You will need a pattern piece that looks something like this. Draw a smooth curve 4-5cm (2") down from the neckline and armhole.

Trace the piece onto a blank piece of pattern paper, before adding cutting instructions. Repeat for the back pieces. Cut these pieces from tear-away / vilene. 

Stay stitch the tear-away to the neckline (once the bodice is assembled) and then sew as normal. Remove tear-away after you have sewn the neckline / armhole seam. For more details on this process, check out this tutorial from Tessuti.

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Now, with those tips under your belt, you should find sewing silk a breeze!

Did I miss anything? Is there a tip you would like to add? I'd love to hear in the comments!

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The Acton sew-along : How to grade between pattern sizes

For many women, your measurements will range across several sizes, and you will need to grade between sizes after you print your pattern. For example, in most patterns, my hip measurement is usually a size or two bigger than my waist measurement, which means I need to grade up from the waist to the hip to account for this difference. It's a really easy adjustment to make, and makes the world of difference when achieving a great fit (and that's one of the main reasons we all sew, right?)

So today, to coincide with the Acton sew-along, I thought I'd show you how it's done!

Print the pattern

To start, take your measurements to work out what size/s you need. Print the Acton dress pattern. In the Folds digital patterns are layered, so you can just print the size/s you need. Check out this tutorial if you need some help with this step (please note : for the Acton, there is just a "Pattern Info" layer that includes the grid and tags). Assemble the pattern as normal.

Mark hip line on the pattern

Mark the hip line on the pattern. You can do this by holding the pattern piece up to your body and marking your hip location. 

Grade between sizes

In the case of the example, I am grading between a size C at the waist, up to a size D at the hip. To do this, simply draw a diagonal line from the size you are at the waist, to the size you are at the hip. As you can see in the illustration, the top of the pattern is still a size C (which means it will still fit together with the size C bodice), but at the waist it is now a size D.

Complete the pattern

Now, there are a couple of options for what to do next. You can either continue the side seam on the size you have reached on the hip, or continue the straight line created by the diagonal line. You can see that the first option creates a shallow point at the hip, but when just grading up one size, it's no big deal - it won't effect the shape of the skirt.

If you're grading between more than one size (or don't mind a little more volume in the hem), then you can just continue the diagonal line, until you reach the hem. 

Complete the hem, by extending the original hemline (you choose which size you prefer at the hem line - according to the length you want) until it intersects the new side seam. 

Move any notches that have been displaced by the new side seam... And you're done!

Cut out the new pattern piece and get sewing.

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The Acton sew-along : Small Bust Adjustment

Today, for the Acton sew-along, I'll be showing you how to do a small bust adjustment. Although the pattern I have used for the example is the Acton dress, you can adapt this tutorial to any pattern that includes princess seams. 

WHEN YOU'LL NEED TO DO A Small BUST ADJUSTMENT 

Most indie pattern companies (including In the Folds) draft for a B cup bust. There are of course exceptions to this rule (such as Cashmerette and Colette), so make sure you check on your pattern before assuming the bust cup size.

This means that if your bust cup size is smaller than a B you will need to do a Small Bust Adjustment, otherwise known as a SBA, and if your bust cup size is larger than a B you will need to do a Full Bust Adjustment or FBA. 

WORK OUT YOUR CUP SIZE

Your cup size in sewing patterns may not always correspond to the bra size you wear. To be safe, check your measurements before deciding if you need to make any adjustments to the pattern. 

Measure your high bust measurement (the area above your breasts, under your arms) as well as your full bust (the fullest part of your chest / horizontal measurement across your nipples) and then take note of each measurement, as well as the difference.

If the difference is 2.5cm (1") your bust is an A cup, 5cm (2") it's a B cup, 7.5cm (3") is a C cup and so on. 

CHOOSE YOUR SIZE

Now, go back to your high bust measurement and add 5cm (2"). This is what your bust measurement would be if you were a B cup and therefore the size you should be choosing from the pattern.

For example, let's say your upper bust measures 81cm (32"). Add 5cm (2") to this measurement to find out what size your bust measurement falls into on the In the Folds sizing chart (and what size you would be if you had B cup breasts). 81cm + 5cm = 86cm which corresponds to a size C. Your actual bust measurement is 83cm though - 3cm (just over 1") smaller than the bust measurement of the pattern. This means you will need to do a SBA and remove this 3cm (1") from your pattern. 

Just like when we did the FBA, we will also need to remove some length from the bust panel, not only width.

To work out how much length you need to remove, measure from your shoulder down to your bust point. Take note of the measurement. The pattern has been drafted to accommodate the following shoulder to bust length:

Size A - 25cm / Size B - 25.5cm / Size C - 26cm / Size D - 26.5cm / Size E - 27.5cm / Size F - 28.5cm / Size G - 29cm / Size H - 29.5cm / Size J - 30cm / Size K - 31cm

Select the pattern size you will be using and deduct your shoulder to bust measurement from the relevant measurement. For example, my shoulder to bust measurement is 24cm, my measurements put me into a size C bust (although my bust measurements tells me I need an SBA) which is designed for a 26cm shoulder to bust length. This means I will need to reduce the bust seam by 2cm. 

GETTING STARTED

Trace a copy of the SIDE FRONT BODICE and CENTRE FRONT BODICE. I always suggest to trace a copy of the pattern, so if you make a mistake you always have the original to go back to (although with digital patterns you can just print another copy if necessary). Be sure to include all pattern markings (in this case: grainline, notches and drill hole) and make sure you trace off the stitching line (the grey line on the pattern) - this is really important. When making pattern alterations, I normally suggest removing the seam allowance, but because the stitch line is marked on the pattern, you can leave it on if you like. 

Mark the bust line

A : Draw a horizontal line across the fullest part of the bust on the SIDE FRONT BODICE. Mark the point where the horizontal line intersects the stitching line at the side seam as point 1. 

B : Mark this horizontal line (in the same position) on the CENTRE FRONT BODICE. Mark the point where the  the horizontal line intersects the stitching line at the centre front seam as point 2. 

Remove length from the bust

A : From the bust seam, cut into the line you just marked. Cut towards point 1 and stop right on the side seam stitch line. (This will help us remove length from the bust, but not the side seam).

B : Cut in from the other side of the line now (from the side seam), towards point 1, leaving a 1-2mm "hinge" to keep the two parts of the pattern attached (this techniques is called 'Cut and Spread' - for more info on this technique, check out this tutorial).  

A : On the stitching line of the bust seam, measure down from the cut line the the amount you need to remove from the bust length. Mark with a dot or small line and label as point 3. For example, I am removing 2cm from the bust length, so I marked a point 2cm below the cut line.

B : Gently pull the top section of the pattern down, so that it overlaps the lower section, until the cut line intersects point 3. Tape or glue in place.

Repeat process for the centre front bodice panel

It is now to make the same changes on the CENTRE FRONT BODICE piece, so that the CENTRE FRONT and the SIDE FRONT bodice pieces still fit together. 

A : From the bust seam, cut into the horizontal line on the CENTRE FRONT BODICE. Cut towards point 2 and stop right on the centre front stitch line. 

B : Cut in from the other side of the line now (from the centre front seam), towards point 2, leaving a 1-2mm "hinge" to keep the two parts of the pattern attached.

A : On the stitching line of the bust seam, measure down from the cut line the the amount you need to remove from the bust length. Mark with a dot or small line and label as point 4. For example, I am removing 2cm from the bust length, so I marked a point 2cm below the cut line.

B : Gently pull the top section of the pattern down, so that it overlaps the lower section, until the cut line intersects point 4. Tape or glue in place.

A : Re-draw the centre front seam with a straight line (by joining the top of the original centre front stitch line with the bottom).

B : Re-draw the bust seam line with a straight line (by joining the top of the original seam stitch line with the bottom).

C : You will notice that you removed width from the pattern piece when you re-drew the centre front seam and added width when you re-drew the panel seam - which now cancels each other out. 

Remove width from the side front bodice

Now that we've removed some length from the bust, it's time to remove some width. Take your bust measurement and remove it from the pattern's original bust measurement (found on the sizing chart). For example, as I mentioned at the beginning of the tutorial, I am using a size C bodice - which has a 86cm bust. I have a 83cm bust measurement, so I need to remove 3cm overall. 

Remember, we are doing things on the half (as each piece is cut as a pair), so that means we need to remove half of this overall difference from the SIDE FRONT BODICE and CENTRE FRONT BODICE. I will be removing half of 3cm (i.e 1.5cm) from each side of my bodice, which means I need to remove half of that (8mm) from each of the front bodice pieces.

A : Measuring inward from point 3, mark a point the distance you are removing from the SIDE FRONT BODICE. As mentioned in the example, I will be removing 8mm from the width of each pattern piece, so I will mark a point 8mm in from point 3. 

B : Now re-draw the bust curve, by drawing a line from the original stitch line, through the point marked in part A, and then down to the stitch line at the waistline. As you can see, the bust line is getting a lot flatter, which is what us small busted ladies like to see! 

Re-draw the side seam

A : You will notice that the side seam is no longer a straight line, since we removed some width from the bust. Re-draw as a straight line by joining the top of the original side seam stitch line with the bottom.

B : This will remove a little more width from your bust width. Take a ruler and check how much this new side seam will skim off. 

Trace the new pattern piece

A : Take a fresh piece of pattern paper and trace the SIDE FRONT BODICE. Start by tracing the stitch line. Be careful to check that you are tracing the new side seam line and new bust curve.

B : Add seam allowance to the pattern. You can do this by transferring the original seam allowance lines, or just add yourself - 1.5cm at the side seam, 1.2cm at the waist and bust seam and 1cm around the armhole. Transfer the notches and grainline. 

By this point we have removed width from both sides of the SIDE FRONT BODICE. For example, I removed 8mm from the width at the bust line, and then a further 3mm when I straightened out the side seam. This means that when I cut a pair of this piece, I would have reduced the bust measurement by a total of 22mm {(8mm + 3mm) x 2}. Overall I need to remove 3cm, which means I just have to remove 8mm from the CENTRE FRONT BODICE (half for each piece - i.e. in the case of the example, 4mm either side).

Remove width from the centre front bodice

A : Take the CENTRE FRONT bodice, and measuring from the new bust seam line, on the cut line, mark a point the distance inwards that you still need to remove. For example, I need to remove 4mm from the piece, so I marked a point 4mm in from the new bust stitch line.

B : Re-draw the seam line intersecting this point. You will need to make it slightly curved to intersect. 

Trace the new pattern piece

A : Take a fresh piece of pattern paper and trace the CENTRE FRONT BODICE. Start by tracing the stitch line. Be careful to check that you are tracing the new bust seam line and new centre front.

B : Add seam allowance to the pattern. You can do this by transferring the original seam allowance lines, or just add it yourself -  1.2cm at the waist and bust seam and 1cm around the armhole. Transfer the notches and grainline. You will notice that that we have almost lost the notches on this piece. Transfer the notches from the SIDE FRONT BODICE piece to ensure the notches are in the right place (if you're not quite sure how to do this, don't worry, I've got a tutorial on it coming tomorrow!)

All done! Can you believe it?! It was quite a long post...

Now, before cutting into your real fabric, I suggest making one more toile. Better to be safe than sorry, right?  

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The Acton sew-along : Full Bust Adjustment (FBA) on princess panels

Over the past week or two, I've been running through a number of pattern adjustments (such as making a toile or lengthening or shortening the bodice) for the Acton sew-along. Now it's time to get to the juicy ones - the Full Bust Adjustment (FBA) and the Small Bust Adjustment / SBA (coming tomorrow). 

When you'll need to do a Full bust adjustment 

Most indie pattern companies (including In the Folds) draft for a B cup bust. There are of course exceptions to this rule (such as Cashmerette and Colette Patterns), so make sure you check on your pattern before assuming the bust cup size.

This means that if your bust cub size is smaller than a B you will need to do a Small Bust Adjustment, otherwise known as a SBA (tutorial coming tomorrow), and if your bust cup size is larger than a B you will need to do a Full Bust Adjustment or FBA. 

Work out your cup size

Your cup size in sewing patterns may not always correspond to the bra size you wear. To be safe, check your measurements before deciding if you need to make any adjustments to the pattern. 

Measure your high bust measurement (the area above your breasts, under your arms) as well as your full bust  (the fullest part of your chest) and then take note of each measurement, as well as the difference.

If the difference is 2.5cm (1") your bust is an A cup, 5cm (2") it's a B cup, 7.5cm (3") is a C cup and so on. 

Choose your size

Now, go back to your high bust measurement and add 5cm (2"). This is what your bust measurement would be if you were a B cup and therefore the size you should be choosing from the pattern.

For example, let's say your upper bust measures 81cm (32"). Add 5cm (2") to this measurement to find out what size your bust measurement falls into on the In the Folds sizing chart (and what size you would be if you had B cup breasts). 81cm + 5cm = 86cm which corresponds to a size C. Your actual bust measurement is 89cm  though - 3cm (1") larger than the cup size of the pattern. This means you need to do a FBA and add this 3cm (1") to your pattern. 

As the bodice is cut on the fold, you need to take the measurement you will be adding and divide it by two. For example, this 3cm (almost 1") mentioned in the example, will be split between either side of the front bodice - 1.5cm (1/2") on each side. 

Getting started

Trace a copy of the SIDE FRONT BODICE and CENTRE FRONT BODICE. I always suggest to trace a copy of the pattern, so if you make a mistake you always have the original to go back to (although with digital patterns you can always just print another copy if necessary). Be sure to include all pattern markings (in this case: grainline, notches and drill hole) and make sure you trace off the stitching line (the grey line on the pattern) - this is really important. When making pattern alterations, I normally suggest removing the seam allowance, but because the stitch line is marked on the pattern, you can leave it on. 

Prepare the bodice for the adjustment

A: On the SIDE FRONT BODICE, draw a straight line from the bottom corner of the pattern, close to the princess panel (1) to the fullest part of the bust curve (2.) The points need to be on the stitch line - not the edge of the pattern. 

B: Mark a point (3) approximately two-thirds of the length of the armhole curve (the portion on the SIDE FRONT BODICE), measuring in from the side seam. Join point 2 to point 3 with a straight line. 

C: Draw a line from point 2 to the side seam (point 4), about 1cm down from the armhole. This line should be on the cut line of the pattern, not the stitch line. 

Transfer guidelines onto centre front bodice

Before getting started on the alteration, you need to transfer the guidelines from the SIDE FRONT BODICE to the CENTRE FRONT BODICE, so that you will be able to make changes to the same areas on each pattern piece. 

A: With your pattern pieces side-by-side and correctly aligned (as if they were being sewn together), draw a horizontal line on the CENTRE FRONT BODICE in line with point 2. Label this line with a 5. 

B: Draw a second line (Line 6) 3-4cm below Line 5 (parallel). Transfer the position of this line onto the SIDE FRONT BODICE, just until the line intersects the line that runs from point 1 to point 2. For the time being, put the CENTRE FRONT BODICE to the side. 

Cut into the bodice

Before cutting into the pattern, place the pattern on top of a piece of pattern paper. This will make it easier when you need to stick the pieces down after you have made the adjustment (it will get really flimsy).

A: Take a pair of scissors and cut into the pattern from the seam allowance below point 1. Cut up to point 2 and then over to point 3.

B: Next, cut in from the armhole towards point 3, being careful to leave a 1-2mm "hinge" intact (it's not a big deal if you accidentally cut through, you can always tape the hinge back together). 

C: Next, cut in from the side seam (point 4) to point 2 - again, leaving a small hinge intact at point 2. Your pattern piece should be very malleable by now! All ready to make the adjustment. 

Make the adjustment

Gently spread the pattern open from point 1 - using point 3 as a hinge. Continue spreading until you have opened up the bodice by the desired amount. Remember, as the bodice is cut on the fold, you need to take the measurement you want to add to the bust measurement and divide it by two. For example, if I wanted to add 3cm (just over 1") I would add - 1.5cm (1/2") on each side. 

Be careful to check that the increase is consistent down through the opening. 

You will notice that when you open this part of the pattern a dart is created at the side seam (point 4). We don't need a dart there, but we'll deal with that later on!

A: Cut through line 7

B : Place a ruler on the waist seam of the pattern (on the stitch line) and continue the line beyond the pattern piece. Line up the detached piece with this line.

Remove the dart

Tape or glue the pattern down onto the pattern paper underneath.

Now it's time to get rid of the "dart" that we created in the previous steps. For ease, I will refer to the wedge created in the side seam as a dart, and will refer to the sides of the opening as the upper and lower dart arms. 

A: Cut into the pattern through the upper dart arm towards point 2. 

B: Now cut towards point 2 from the opposite side of the pattern - leaving a 1-2mm hinge intact. 

A: Close the dart by gently pulling the upper dart arm towards the lower dart arm.

B: When the upper dart arm is in line with the lower dart arm, tape or glue in place. You will see that a small wedge has opened up on the bust curve (the fullness from the side seam has been relocated to the bust seam).

Reduce waist back to original length

A: At this stage you will notice that by adding fullness to the bust, we also added fullness to the waist seam (the opening at point 1). In the case of a FBA, you are wanting to increase the bust measurement, without adding any extra to the waist - so this will need to be removed.

B: Remove the excess length from the waist at the side seam. Measure how much was added at point 1 and then remove this from the waistline at the side seam. Redraw the side seam with a straight line up to the pattern's original armhole. 

Make alterations to the centre front panel

It's now time to transfer the changes we have made to the SIDE FRONT BODICE to the CENTRE FRONT BODICE (so that they can be sewn together).

Take another piece of pattern paper and draw a straight line down the right hand side. Label "Centre Front." Take the top section of the CENTRE FRONT BODICE and tape or glue in place, lining up the centre front of the pattern piece with the line marked on the paper. 

A: On the SIDE FRONT BODICE, measure the length of the smaller opening. Take note of the measurement.

B: Now, move to the CENTRE FRONT BODICE and place the middle section of the pattern, the same distance down (as the measurement noted) from the upper section of the pattern. Tape or glue in place. 

A: On the SIDE FRONT BODICE, measure the length of the larger opening. Take note of the measurement. 

B: Now, move to the CENTRE FRONT BODICE and place the lower section of the pattern, the same distance down (as the measurement noted) from the middle section of the pattern. Tape or glue in place. 

Trace the new pattern pieces

Your alterations are done! Now you just need to trace new versions of each piece. 

A: Take a fresh piece of pattern paper and trace the SIDE BACK BODICE, starting at the stitch line. Be careful to check that you trace the new side seam and not the original side seam.

B: Add seam allowance to the piece - 1.5cm to the side seam, 1.2cm to the bust seam and waist seam and 1cm to the armhole seam (use this tutorial if you need some tips). If you are wondering why the seams meet at different angles - you can learn more about seam returns here. Transfer the notches. 

C: Label the pattern and add the grainline (you can work this out by placing the new piece on the original pattern piece and transferring the grainline). 

Repeat process for the CENTRE FRONT BODICE.

And that's it! Your bodice is bosom ready! 

Keep your eye on the blog for more Acton sew-along posts coming in the next couple of weeks. 

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The Acton sew-along : Shorten the bodice (above the bust)

Over the last few days we’ve been talking about shortening and lengthening the bodice in the Acton sew-along (the principle is exactly the same if you would like to add or remove length from the skirt), and today I’ll be finishing off these posts by showing you how to shorten the bodice above the bust line. By referring to your toile, you should be able to tell where you need to add length - it could be from below the bust line, above the bust line, or even a bit from both. 

GETTING STARTED

To start, trace a copy of the CENTRE FRONT BODICE and SIDE FRONT BODIE of the Acton pattern (it's always a good idea to trace a copy of the pattern, rather than using the original, in case you make a mistake. Although with a digital pattern you can always print another copy if necessary!), including all pattern markings (in this case the stitch line, grainlines and notches). 

Normally I suggest removing the seam allowance when making pattern alterations, but when it's as simple as this alteration, there really is no need. 

Draw a horizontal line (perpendicular to the grainline) through each pattern piece the location you need to add length. On the SIDE FRONT BODICE piece, extend the grainline so that it crosses the horizontal line and is on the top part of the pattern piece. As I said, for this tutorial I will be showing you how to remove length above the bust line. If you need to add length below the bust line, check out this tutorial.

CUT THROUGH THE PATTERN PIECES

Carefully cut through each line, separating each piece into two. 

REMOVE THE EXCESS LENGTH

Work out how much you will be removing from the length of the bodice by referring to your toile.  For the sake of the example, I will be removing 1cm (5/8") from the pattern. Draw a line parallel to the cut, 1cm (5/8") (or the amount you are removing) on the upper section of both pattern pieces.

Move the lower section of each piece up to meet the horizontal line. Use the grainline to help keep the pieces straight. Tape or glue in place. 

RE-DRAW THE SEAMS

Redraw the seam lines that have been effected, by drawing a line of best fit through the original stitching lines. 

Redraw the seam allowance lines (you may need to stick a bit of extra paper behind the pattern to make room for it, or even trace off the pattern onto a seperate piece of pattern paper).

And that's it, you're good to go with your new (and shorter) bodice! If you need to remove length from the back bodice, just follow the same process.

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The Acton sew-along : Shorten the bodice (below the bust)

Last week I showed you how to lengthen the bodice on the Acton dress (or any pattern that's similar) for the Acton sew-along, and now it's time for me to show you how to shorten the bodice. 

To start, trace a copy of the CENTRE FRONT BODICE and SIDE FRONT BODIE of the Acton pattern (it's always a good idea to trace a copy of the pattern, rather than using the original, in case you make a mistake. Although with a digital pattern you can always print another copy if necessary!), including all pattern markings (in this case the stitch line, grainlines and notches). 

Normally I suggest removing the seam allowance when making pattern alterations, but when it's as simple as this alteration, there really is no need. 

By referring to your toile, you will be able to know whether you need to remove length below the bust, or above the bust. The method is exactly the same, just the location of the cut is different. This tutorial will show you how to remove excess from below the bust, and later today I'll show you how to remove length from above the bust. 

Getting started 

Draw a horizontal line (perpendicular to the grainline) through each pattern piece between the lower notches. On the CENTRE FRONT BODICE piece, make sure the line is far enough up the piece that it intersects the centre front of the piece and not through the bottom edge.

Cut through the patter

Carefully cut through each line, separating each piece into two. 

Remove the excess length

Work out how much you will be removing from the length of the bodice by referring to your toile.  For the sake of the example, I will be removing 2.5cm (1") from the pattern. Draw a line parallel to the cut, 2.5cm / 1" (or the amount you are removing) on the upper section of the CENTRE FRONT BODICE piece. 

Move the lower section of the piece up to meet the horizontal line. Check that the centre front on both upper and lower pieces are aligned and then tape or glue in place. 

Re-draw the seams

Redraw the panel line, by drawing a straight line from the original line at the top of the seam and the bottom. Do this for both the stitching line and the cutting line. 

Re-draw the notches

Re-draw the notches - so that they won't be trimmed off when you remove the excess from the piece. Cutting along the new line to create the new pattern piece.

Make the same changes to the side front bodice

Repeat the process for the SIDE FRONT BODICE, before moving onto the back panels and repeating the process.

Keep your eye on the blog for more Acton sew-along posts coming in the next couple of weeks (and check out the link to see what I've covered so far). 

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Would you like to test my upcoming pattern?

I'm very excited to announce that I am ready to test my next pattern! I am also very excited as this is one is a little more (actually a lot more) beginner friendly than the Rushcutter and the Acton. I am pumped to be able to offer something for sewists who aren't ready to take on my more challenging patterns, but would like to know what In the Folds patterns are all about.

I always feel a little daunted about going into the testing period. Putting a pattern out there for the first time can be a little scary, but also it is a lot of work. I normally select about 20 women to help me test, so testing involves communicating with all the testers, ensuring everyone feels comfortable and knows what to do, as well as being available to answer any questions or discuss suggestions. Through the previous tests I've done, I have somewhat streamlined the process, but I knew that this time I needed to really make a big change to the way I have been doing things. Just going through all the applications is very labour intensive, and as a one-woman show, it just feels like an impossible task.

So I have decided that for this round of testing, I'm going to mix things up a bit. With the hope of being more inclusive, giving everyone a far chance of being selected, and hopefully saving myself some time, I'll be trying out the "first in, best dressed" method. I require two testers for each size in my size range (one for each style), so will go through the emails from the first one down until all spots are filled. I will favour beginners though, as this is a pattern aimed at beginners, so I really need to know how  beginners go with it and if I have scaled it correctly - so will need at least a few beginners in the testing pool.

The pattern

I don't want to give too much away, but will give you the garment description (as well as the sneak peak at the top of this post), and hopefully from that you will know if the style is for you. On that note, please only apply if you think it is something you would like to wear. I am very conscious about all that I sew, and I hope you are too. I hate to think of garments being made and never worn, so be mindful of this, and if it doesn't sound like it's for you, then there will always be next time.

The Collins top is a loose-fitting top designed for woven fabrics. It is A-line in shape and
features a round neck, panel lines, a high-low hem and a centre-back opening, with a button and loop closure.

View A
The Collins top (view A) has a three-piece raglan sleeve with a lot of extra volume, for
those warm summer days. The neckline is finished with bias binding.

View B
The Collins top (view B) is sleeveless and the neckline and armholes are finished with an all-in-one facing for a really clean and professional finish.

Suggested fabrics: The Collins top is compatible with a range of different fabrics. Your choice of fabric will govern the silhouette you achieve. Consider using light to mid-weight fabrics such as: linen, linen blends, cotton, gauze or chambray. For a softer silhouette, consider sateen, silk (crepe de chine or habotai) or viscose (rayon). Be careful if you are a
beginner though, as these fabrics are a little trickier to sew. 

Here is what you need to know:

• Testing involves you making the garment - as it was originally intended (no pattern hacking etc.) and providing honest and constructive feedback on the making experience and finished garment. In exchange for your involvement, you will receive a free copy of the pattern on it's release. You will also have my sincere gratitude for being part of it!
• Testing will run from this weekend (January 13/14) for two weeks. Feedback and fitting photos (these don't need to be styled) will be due on Monday, January 30. Please only apply if you can complete the project in the time frame.
• Testing will be conducted through a Facbook group, so please only apply to test if you are happy to join the group. I have found that testing in this way makes it much more fun for the testers, as you get to connect with other makers and sew the project together! It also means that if you have a question, there is a large knowledge pool that can get back to you (just in case it's night time here in Australia).

How to apply:

If you would like to apply, please email testers@inthefolds.com - but before doing that, please continue reading. I will not accept applications that do not include the following information in the SUBJECT LINE.

All I need in the email is for you to put three key pieces of information in the subject line so that I can quickly and easily worth through the applications.

I need to know:

1. Your size on the In the Folds sizing chart - to work it out look here. Keep in mind that this is a loose fitting top, so your bust measurement is the most important.
2.  The style you would like to make (sleeveless, sleeves, or either - if you don't have a preference)
3. Your skill level. Please use this skill scale to place yourself

So for example, you may write: Size C - sleeveless - Level 5

And that's it. That's all I need to know! If you are applying, I will assume you agree to the time frame and being part of the Facebook group. 

I am really looking forward to working with some of you, and hopefully meeting lots of new people in the process!

The Acton sew-along : How to lengthen the bodice (above the bust)

If you have been following the Acton sew-along, you will know that we're now onto making pattern alterations! The bodice of the Acton is quite fitted, so making some alterations to get the bodice just right for you, is really important (if the pattern doesn't fit you straight out of the packet).

I know a lot of people get quite daunted about pattern alterations, but the ones required for the Acton aren't too scary at all, as it doesn't have sleeves or shoulder seams - which simplifies it quite a bit. I showed you how to make a toile a few days ago, and now from doing a fitting, you should know what changes you need to make. Lengthening or shortening the bodice is a common adjustment to make, so I thought I'd show you how to add length in two different spots. By referring to your toile, you should be able to tell where you need to add length - it could be from below the bust line, above the bust line, or even a bit from both. 

Getting started

To start, trace a copy of the CENTRE FRONT BODICE and SIDE FRONT BODIE of the Acton pattern (it's always a good idea to trace a copy of the pattern, rather than using the original, in case you make a mistake. Although with a digital pattern you can always print another copy if necessary!), including all pattern markings (in this case the stitch line, grainlines and notches). 

Normally I suggest removing the seam allowance when making pattern alterations, but when it's as simple as this alteration, there really is no need. 

Draw a horizontal line (perpendicular to the grainline) through each pattern piece the location you need to add length. On the SIDE FRONT BODICE piece, extend the grainline so that it crosses the horizontal line and is on the top part of the pattern piece. As I said, for this tutorial I will be showing you how to add length above the bust line. If you need to add length below the bust line, check out this tutorial.

Cut through the pattern pieces

Carefully cut through each line, separating each piece into two. 

lengthen the bodice

Take two pieces of pattern paper (this is a great time to use up some of your paper scraps!).

A : For the SIDE FRONT BODICE you will need your piece of paper to be slightly wider than the one for CENTRE FRONT BODICE. Draw a horizontal line straight through the (roughly) middle. In the centre, draw a line perpendicular to the horizontal line, creating a right angle. This will be the grainline of the new SIDE FRONT BODICE piece. 

B : Draw a horizontal line straight through the (roughly) middle. On the right hand side, draw a line perpendicular to the horizontal line, creating a right angle. This will be the grainline of the new CENTRE FRONT BODICE piece. 

A : Take the lower section of the SIDE FRONT BODICE and line it up with the horizontal and vertical line you just drew - the grainline matching up with the vertical line (you can now see why this line had to be closer to the middle) and the cut edge aligned with the horizontal line. Tape or glue in place. 

B : Take the lower section of the CENTRE FRONT BODICE and line it up with the horizontal and vertical line you just drew - the centre front matching up with the vertical line and the cut edge aligned with the horizontal line. Tape or glue in place. 

By looking at your toile, work out how much extra length you need to add to the pattern. For the case of the example, I will be adding 1.5cm (5/8").

On the vertical line on each pattern piece, mark a point 1.5cm /5/8" (or whatever length you are adding to the pattern) above the cut edge. 

Draw a line parallel to the cut edge of the pattern running from the point you marked in the previous step on both the SIDE FRONT BODICE (A) and CENTRE FRONT BODICE (B).

A : Take the upper section of the SIDE FRONT BODICE and place the cut edge on the second horizontal line, aligning the grainline with the vertical line. Tape or glue in place. 

B : Take the upper section of the CENTRE FRONT BODICE and place the cut edge on the second horizontal line, aligning the centre front with the vertical line. Tape or glue in place. 

Trace the pattern pieces to create the new pieces

Take two pieces of pattern paper to trace the new pattern pieces. 

A : Trace the stitch lines on the SIDE FRONT BODICE. Re-draw the armhole line and princess seam line, by finding a line of best fit between the original stitch lines. 

B : Trace the stitch lines on the CENTRE FRONT BODICE. Re-draw the princess seam line by joining the top of seam to the bottom with a straight line. 

Add seam allowance to both pieces - by using the original pattern edges as a guide.

A : Add 1.5cm (5/8") to the side seam, 1.2cm (1/2") to the waist seam and princess seam and 1cm (3/8") to the armhole.

B : Add 1.2cm (1/2") seam allowance to the waist seam, princess seam and centre front. Add 1cm (3/8") to the armhole and neckline. 

Be sure to also transfer all pattern markings - notches, drill hole and grainline. 

Label the pattern for safe-keeping. You can now cut out your new pattern pieces. Repeat process for the back pattern pieces (if you also need to add length to the back of the bodice).

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The Acton sew-along : How to lengthen the bodice

Welcome back to the Acton Sew-along.

In yesterday's tutorial, I gave you all the reasons why you should always make a toile (especially when you're making a fitted garment like the Acton) and showed you how to go about it. In the next few tutorials, I'm going to show you what to do if you have realised that you need to shorten or lengthen the bodice. This is probably one of the simplest pattern alterations you can make, so please don't be daunted by it if you've realised that you'll get a better fit by changing the length of your bodice. 

By referring to your toile, you will be able to know whether you need to remove length below the bust, or above the bust. The method is exactly the same, just the location of the cut is different. This tutorial will show you how to remove excess from below the bust, and later today I'll show you how to remove length from above the bust. 

Getting started

To start, trace a copy of the CENTRE FRONT BODICE and SIDE FRONT BODIE of the Acton pattern (it's always a good idea to trace a copy of the pattern, rather than using the original, in case you make a mistake. Although with a digital pattern you can always print another copy if necessary!), including all pattern markings (in this case the stitch line, grainlines and notches). 

Normally I suggest removing the seam allowance when making pattern alterations, but when it's as simple as this alteration, there really is no need. 

Draw a horizontal line (perpendicular to the grainline) through each pattern piece between the lower notches (below the bust line). On the CENTRE FRONT BODICE piece, make sure the line is far enough up the piece that it intersects the centre front of the piece and not through the bottom edge.

Cut through the pattern pieces

Carefully cut through each line, separating each piece into two. 

lengthen the bodice

Take a piece of pattern paper (this is a great time to use up some of your paper scraps!) and draw a horizontal line straight through the (roughly) middle. On the right hand side, draw a line perpendicular to the horizontal line, creating a right angle. This will be the grainline of the new pattern piece. 

Take the lower section of the CENTRE FRONT BODICE and line it up with the horizontal and vertical line you just drew - the centre front matching up with the vertical line and the cut edge aligned with the horizontal line. Tape or glue in place. 

Add length to the pattern piece

By looking at your toile, work out how much extra length you need to add to the pattern. For the case of the example, I will be adding 2.5cm (1").

On the vertical line, mark a point 2.5cm / 1" (or whatever length you are adding to the pattern) above the cut edge. 

Draw a line parallel to the cut edge of the pattern running from the point you marked in the previous step. 

Take the upper section of the CENTRE FRONT BODICE and place the cut edge on the second horizontal line, aligning the centre front with the vertical line. Tape or glue in place. 

Trace the new pattern piece

A : Take another piece of pattern paper and trace your new pattern piece. Start by tracing the original lines of the pattern which have not been affected by the changes.

B : Redraw the panel seam by drawing a line from the top of the pattern piece, down to the bottom - meeting the original line at each end. Do this for both the cutting line and the stitching line. 

Be sure to trace all pattern markings - notches, drill hole and grainline. Label the pattern for safe-keeping. You can now cut out your new pattern piece. 

Repeat Process for the side front bodice

For the SIDE FRONT BODICE you will need your piece of paper to be slightly wider than the one you used for the CENTRE FRONT BODICE. Again, mark the horizontal and vertical lines on the paper - but this time, place the vertical line closer to the centre of the paper. 

Take the lower section of the SIDE FRONT BODICE and line it up with the horizontal and vertical line you just drew - the grainline matching up with the vertical line (you can now see why this line had to be closer to the middle) and the cut edge aligned with the horizontal line. Tape or glue in place. 

On the vertical line (the grainline in this case), mark a point 2.5cm / 1" (or whatever length you are adding to the pattern) above the pattern edge. This distance needs to be the same amount that you added to the CENTRE FRONT BODICE.

Draw a line parallel to the cut edge of the pattern running from the point you marked in the previous step. 

Take the upper section of the SIDE FRONT BODICE and place the cut edge on the second horizontal line, aligning the grainline with the vertical line. Tape or glue in place. 

You will see that the changes are limited to area where the paper was added, so there is no need to trace the pattern. Simply re-draw the side seam and princess seam and cut the piece out.

Repeat process for the back panels and that's it!

Are you enjoying the Acton sew-along? There are still plenty of posts to come!

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The Acton sew-along : Making a toile

Welcome back to the Acton sew-along! Now that we've taken our measurements and worked out what size (or sizes) matches our measurements the closest, it is time to make a toile!

WHAT IS A TOILE?

A toile (also known as a ‘muslin’) is basically a draft version of a garment. A toile is normally made from a cheaper fabric, so that you can test the fit of a particular garment before cutting into your real (and normally more expensive) fabric. 

It is best to choose a fabric to toile in, that is similar to what you plan to make the actual garment in. If you are using a lovely sandwashed silk, then you will need something with a similar handle and drape as the silk, so you can get a good idea of what the final garment will look like. Making a winter coat? Choose something with a similar thickness and drape. For the Acton, it is designed to be used with 'drapey' fabrics, but to get a good idea of the fit of the bodice, I would use something stiffer than suggested - such as calico or cotton. 

WHY SHOULD I TOILE?

We all come in different shapes and sizes, and although I may have the same measurements as the girl next to me, this does not at all mean we have the same body shape. Some of us may have a sway back, forward sitting shoulders (that’s me!), narrow shoulders, longer torso etc. By making a toile, you can quickly see if any adjustment needs to be made. As you sew more garments for yourself, you will get better at knowing what to look for, as you will often notice the same fitting problem across the board. You may think that In the Folds patterns would fit me straight out of the packet. They don't! My patterns are drafted to fit a "standard" (is there such thing?) size 10 fit model, which means that before making something from one of my patterns, I must make a few alterations too... So I am right here with you!

HOW DO I MAKE A TOILE?

After choosing your size, printing the pattern, and making any alterations that are standard to you (such as an FBA or SBA), make up the garment in your chosen toiling fabric. You don’t have to add facings, collars or pockets etc when making a toile. I never bother with buttonholes or zips either, I just pin the opening closed when it’s on. For the Acton, if you're short of time, you can get away with just toiling and fitting the bodice. 

You just want to check the overall fit of the garment, so you will only need the main pattern pieces (in the case of the Acton, you just need to cut the bodice pieces, not the lining). There is no need to even finish the seams!

To Start

Cut out your bodice pieces in your chose size. Remove the seam allowance from the neckline and armholes, as well as the waistline seam. This will help you get an accurate idea of the fit, without getting confused by the seams that have not been finished. 

For loose fitting garments, that have enough ease to fit a wide range of shapes (such as The Rushcutter) you can go right ahead and cut out your toile and get sewing, but for fitted garments like the Acton, it is best to mark some guidelines on your pieces first. This will really help when it comes to fitting the bodice and working out what changes need to be made. 

Mark guidelines on your pattern pieces

Take your pair of SIDE FRONT BODICE pieces and draw a horizontal line through the fullest part of the bust. Transfer this line onto the CENTRE FRONT BODICE too (at the same level).

Draw a vertical line through each piece too. This doesn't have to be exact - these lines will just act as reference points when you are fitting. They will help you tell if the bodice is sitting as it should. 

It can be a good idea to try a toile on inside out, so transfer these guidelines onto the wrong side of the fabric too.

Do the same for the CENTRE BACK BODICE and SIDE BACK BODICE pieces. 

Sew the toile

Sew the bodice together, according to the instructions in the pattern (leaving the centre back seam open). When sewing, consider using a long stitch length, so that you can quickly and easily unpick any seams that need to be altered. You can also use a contrasting thread to make it even easier to see your stitches (and remove them if necessary).

Press all seams open before stay-stitching around the top edge of the bodice (neckline and armholes) - this will prevent the toile from stretching while you are fitting it. Press the centre back seam allowances in by 2cm - these creases will help you pin the bodice closed in the correct place. 

WHAT’S NEXT?

Tie a piece of elastic (or similar) around your natural waist. This will act as a reference point for your bodice so that you are able to check the bodice length, as well as act as a guideline to check that the bodice sits correctly.

Line up the bust line on the bodice with your actual bust line (the line that runs through the fullest part of your bust - or across your bust apex / nipples), and get pinned into the bodice (up the centre back seam) with the bodice inside out. It is a really good idea to have a friend around to help you with the fitting. It can be a little tricky if you're on your own! If you are on your own, try turning the bodice around so that the centre back is at the front and pin the back seam closed before twisting it around the right way.

As the bodice doesn't have straps yet, it can be helpful to try the bodice on with the fitted jersey top on underneath. This way you can pin the bodice to the top if it's not staying up on its own! 

Get in front of the mirror and take a look.

Fitting is a process, one change will effect another part of the toile, and so on and so forth - so it is important to do your fitting in a methodical way. When working on a full garment, work from the top down - fitting the bust, the waist and then the hips. 

Check the side seam

First things first, check the side seam. Is it sitting perpendicular to the elastic you have around your waist? If it is being pulled forward, it could be a sign that you need to do a FBA. 

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Check the bust

Check the overall fit of the bust. The Acton is designed to be quite fitted (there is only 2cm / 1" ease at the bust).

If the bust is too small...

A : If the bodice feels as if it's pulling across the bust (or you can't even get the bodice closed at the centre back), unpick the princess panels from the bust line up, and then the bust line down - releasing the fabric - but not unpicking the whole seam. Make sure you do this to both sides so you can get a correct gauge of the fit with the extra width added.

B : Measure how much your princess panels are opening up at the bust line. Measure the opening on both sides. If they are not the same, add them together and divide by 2 (to find the average), so that you add the correct amount when you do your Full Bust Adjustment (tutorial coming soon). Take note of this number, so that you can use it when doing your FBA.

If the bust is too big...

A : If you have the opposite problem, and the bust area is too big, carefully pin down the princess seams, removing the excess. Do this on both princess seams, being careful to remove an even amount from each side.

B & C : Take a pen or marker and draw the new panel line on both sides of the princess panel by following the pins.

A : On the bust line, on the CENTRE FRONT BODICE, measure the difference between the original stitch line and the marked line, take note of the measurement. Repeat for the other princess panel. 

B : On the bust line, on the SIDE FRONT BODICE, measure the difference between the original stitch line and the marked line, take note of the measurement. Repeat for the other princess panel. 

Add up these four measurements to find the total you need to remove from the bodice when you do a Small Bust Adjustment. 

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Check the bodice length below the bust

Once the bust is sorted, it is time to check the length of the bodice.

A : Measure down from the bottom edge of the bodice at the centre front seam to your waist. The bodice was designed to sit roughly 12cm above the natural waist. Take note if your bodice sits above or below the 12cm mark. In a later tutorial I will show you how to add / remove length to the bodice if your bodice is too long or too short. 

B : Measure down from the bottom edge of the bodice at the centre back seam to your waist. The bodice was designed to sit roughly 5cm above the natural waist at the back. Take note if your bodice sits above or below the 5cm mark. 

Check the bodice length above the bust

You may notice that your bodice is sitting in the right place in relation to the waist, but there may be too much (or too little) fabric above the bustline. 

I have two dressforms with very similar measurements, you will notice that in photograph B the bodice sits much closer to the neckline than in photograph A. This shows that the dressforms have different proportions above the bustline only (as the bodice sits 12cm above the natural waist on both).

Work out where the problem is, do you need to remove length above the armhole? Or is the armhole sitting too close to the armpit too? (if this is the case you will need to remove length from the side seam across the whole bodice)

Remove length above the bust

The best way to really work out the fit issues you have in a toile is to start cutting into your fabric and making changes. This way you can get a real idea of the changes as you make them, and hopefully save yourself from making too many toiles!

A : Cut through the bodice at the point that has too much length - this may be above the armhole, below the armhole but above the bust line, or below the bust line.*

B : Move the detached piece down until it is sitting in the correct position. Pin in place and measure how much length has been removed. 

*You may need to add length in more than one place

Add length above the bust

A : Cut through the bodice at the point that is too short - this may be above the armhole, below the armhole but above the bust line, or below the bust line. (Again, length may be needed in multiple spots).

B : Take a strip of scrap fabric and pin to the lower portion of the bodice. Move the detached piece up until it is sitting in the correct position. Pin in place and measure how much length has been added.  

Repeat the process of cutting and opening (or cutting and closing) to add / remove the length from the places it is needed. If you want to get a really good idea of how the new bodice is fitting, you can stitch the strips of fabric in place on the machine, before trying on the bodice again. 

Add the straps

Once you have the bodice right, use thin straps of fabric (or bias binding or tape - whatever you have around) to make two "straps" (this will save you sewing up straps) and pin in place. Getting the right strap length is crucial to getting a good fit with the Acton. Make sure your straps allow the bodice to sit comfortably, and the peak of the bodice (the bust guideline) remains on the peak of your bust. Take note of the strap length so you have it for when you are making the real thing.

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What's next?

If this fitting has revealed that you have lots of changes to make to the pattern, make the changes and make another toile. It is always good to check the fit of a pattern after making significant changes.

And don't worry, I won't leave you hanging now that you know what pattern alterations need to be made!

In the coming days I have the following tutorials lined up for you:

January 12 and 13 : Lengthening the bodice

January 16 and 17 : Shortening the bodice

January 18 : Full bust adjustment (FBA)

January 19 : Small bust adjustment (SBA)

January 20 : Grading between sizes

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The Acton sew-along : Selecting your size

To kick off the Acton sew-along series, we'll be talking about selecting your size.

The Acton sewing pattern is available in sizes A - K (approximately equivalent to AU size 6-24).

TAKE YOUR MEASUREMENTS

To select the appropriate size, first take your measurements.

It is best to take your measurements while wearing only underwear, or otherwise very tight clothing, so that you can get true measurements. Get someone to help you, if you can. Otherwise take your measurements in front of the mirror, so that you can check that your tape measure remains parallel to the floor, and is not twisted, as it is wrapped around your body.

First, measure your bust and take note of the measurement. 

As the Acton has quite a fitted bodice, you should also take your high bust measurement. This will help you determine whether or not you will need to do a Full or Small Bust Adjustment. The 'high bust' is the area above your breasts and under your arms.

Measure your waist... and (if you want to be able to eat in your Acton) don't suck in your tummy like me!

And then measure your hips. Make sure you are measuring your low hip (i.e. the fullest part of your hips - that includes your butt!)

BODY MEASUREMENTS

Now look at the size chart and circle where your measurements lie. Your measurements may lie across several sizes or between sizes - that's no problem at all!

Before going ahead, we need to check that you are choosing the right size for your bust measurement (you may need to select a different size to your measurements and then to a full or small bust adjustment to get a good fit).

WILL YOU NEED TO DO A FULL / SMALL BUST ADJUSTMENT?

Most indie pattern companies (including In the Folds) draft for a B cup bust. There are of course exceptions to this rule (such as Cashmerette and Colette), so make sure you check on your pattern before assuming the bust cup size.

This means that if your bust cub size is smaller than a B you will need to do a Small Bust Adjustment, otherwise known as a SBA (tutorial coming soon), and if your bust cup size is larger than a B you will need to do a Full Bust Adjustment or FBA (tutorial coming soon). 

WORK OUT YOUR CUP SIZE

Your cup size in sewing patterns may not always correspond to the bra cup size you wear. To be safe, check your measurements before deciding if you need to make any adjustments to the pattern. 

Find the difference between your bust measurement and your high bust measurement.

If the difference is 2.5cm (1") your bust is an A cup, 5cm (2") it's a B cup, 7.5cm (3") is a C cup and so on. 

CHOOSE YOUR SIZE

Now, go back to your high bust measurement and add 5cm (2"). This is what your bust measurement would be if you were a B cup and therefore the size you should be choosing from the pattern.

Change your size selection on the chart if necessary.

For example, let's say your upper bust measures 81cm (32"). Add 5cm (2") to this measurement to find out what size your bust measurement falls into on the In the Folds sizing chart (and what size you would be if you had B cup breasts). 81cm + 5cm = 86cm which corresponds to a size C. Your actual bust measurement is 89cm though - 3cm (1") larger than the cup size of the pattern. This means you will need to do a Full Bust Adjustment and add this 3cm (1") to your pattern. 

An example - looking at my measurements

I thought I'd show you my measurements and how I go about selecting my size, to give you a concrete example of this process. As my patterns do not fit me straight out of the packet! Some designers use themselves as a fit model, but I choose to use a "standard" size 10 model as a base, which means I have to make alterations to my patterns before I can get sewing too.

Bust : My high bust measurement is 82cm. I will add 5cm to this measurement to check whether or not I need to do a FBA or SBA. The result is 87cm - which puts me in a size C. My actual bust measurement is only 84cm though (not the 86cm of the size C bust measurement), which means I will need to do a Small Bust Adjustment to remove the excess 2cm from this area.

Waist : My waist measures 72cm. This is slightly bigger than the size C waist measurement (which is 71cm), so before choosing to use a size C, I will check the pattern's finished garment measurements to see if that will work. 

Looking at the "Finished Measurements" table, you can see the finished waist measurement of the size C is 81.5cm (there is about 10cm ease in the waist), which means that the fact that my waist measurement is 1cm bigger than the size C measurement, is absolutely fine.

Hips : My hip measurement is 100cm, which moves me from the size C, up to the size D. Again, my measurement is 1cm over the size D measurement, but by looking at the Finished Measurement table, I can see that again this won't be  problem due to the amount of ease in the hip, so I can stick to a D.

NOTE : The wrap on view B is deigned in such a way that there is A LOT of extra room at the hips (to allow for the wrap). If your hip measurement is only slightly outside your waist size range, I would not bother grading up at the hips (there will be ample room). If your hip size is more than a size bigger than your waist I suggest grading up. For my measurements, C at the waist and D at the hips, for the wrap version (view B), I just made a straight C (with only alterations made to the bust). 

What size to print?

The pattern has been made with embedded layers so that you can just print the size/s you need! Layers make it much less confusing to cut the right size, and also saves on ink (and paper, in some sizes). Take note of the size or sizes you need to print and then check out this post how to print and assemble your PDF pattern. 

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The Acton sew-along is coming!

I am officially back in the studio today (I did do a few sneaky hours in here last week) and getting myself and my little business organised for 2017. I am so excited about all that I have planned, with the first thing being the sew-along for the Acton, which will start this week! 

Will you be sewing along with me?

Here's the schedule so you can stay tuned to the posts you would like to see:

January 10 : Taking your measurements and selecting your size

January 11 : Making a toile

January 12 and 13 : Lengthening the bodice

January 16 and 17 : Shortening the bodice (Post 1 and Post 2)

January 18 : Full bust adjustment (FBA)

January 19 : Small bust adjustment (SBA)

January 20 : Grading between sizes

January 23 : Sewing with silk (or other slinky fabrics)

January 24 : Sewing princess seams (assembling the bodice - both views)

January 25 : Sewing in-seam pockets

January 26 : Attach the skirt to the bodice (view A)

January 27 : Inserting an invisible zip

January 30 : Making and attaching the straps (View A and View B)

January 31 : Attach the lining

January 1 : Hemming

February 2 : Attach the skirt to the bodice (view B)

February 3 : Adding the waist ties

February 6 : Finishing up (view B)

February 7 : Pattern hack - add a full circle skirt

New Pattern : The Beach Coverup - in collaboration with Peppermint Magazine

It just ticked over into Summer here in the Southern Hemisphere and I'm celebrating the turn of season with the release of a new pattern in collaboration with Peppermint Magazine!

If you have been following my blog this year, you would have seen the Sweater Dress we released together in Winter and then the Peplum Top that followed in Spring. And the best bit is, you can download them all for free! 

The Beach Cover-up is a simple summer kaftan with a comfortable and relaxed fit, perfect for hot summer days on the beach.

It features a scooped neck, high-low hem and an optional waist tie (that can give you a range of different silhouettes).

Through the creation of this garment you will gain confidence in:
- sewing with light-weight woven fabrics
- sewing straight seams
- sewing curved seams
- attaching bias binding
- attaching trims

Download the pattern now for free from the Peppermint Magazine website (along with heaps more free sewing patterns). 

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New images : The Rushcutter

When I decided to do a shoot for the release of the Acton dress, I thought it would be a good time to get some images of the Rushcutter too! So today I'd show some of them too, as you may have missed the updates to the product listing.

For View A I chose to use a beautiful mid-weight denim. Really, since I made my own denim Rushcutter, it's just hard to think about using anything else!

It really holds the shape beautifully - especially the pockets - and it shows all the details really well. And I knew it would work beautifully with my model's (Caz from Useful Box) lovely red hair. So that was just a no brainer!

For View B it was a little trickier. I wanted something summery, but also something that wouldn't overtake the details. Enter cotton stripe! I am really pleased with how this one turned out. I had lots of fun playing with the stripe direction and I think overall it works really well.

The only problem was that I din't realise how sheer it was until I got it home, which meant I had to omit the in-seam pockets and my model (my sis') had to wear a nude slip underneath. Lesson learned for next time!

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The Acton : Tester round-up

As you have probably seen by now, last week I released The Acton dress pattern. This pattern was a long time in the works, as I really wanted to fine tune my process, so there was  a lot of learning and experimenting to be done. I tested the pattern earlier this year, along with some incredible makers, and today is the day that I can finally share these pictures with you (I know they are all pumped to finally share their Actons too!) and a few of the comments that were made about the pattern.

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Andreia - In a Manner of Sewing

"The pattern is perfectly designed and i really need to try it on a fabric that is more suited for my skills, because all the notches, pivots, seam allowances match so perfectly it´s just impossible not to enjoy sewing it."

Check out Andreia's blog (and Acton review) here. 

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Henna - Stitch Study

"I like that you listed the pages I needed to print for my view and size. I just plugged it in and printed, and everything was there. I also like that the pattern is arranged in chunks. I have limited space for taping, so this helped tremendously."

Check out Henna's blog here. 

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Erin - Brooklyn Pattern Co

 "What I liked about making the Acton was how well the pieces came together. It made it very satisfying to finish with all things lining up. I really nailed the CF point and that felt great."

Check out Erin's blog here. 

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Megan - Pigeon Wishes

"I love the way this dress fits on a pear shape and I think the bodice is really flattering. The skirt hangs in a very elegant way and moves beautifully (I made my garment in Cupro so it feels very floaty too)."

Check out Megan's blog here. 

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Sue - Sewin' Steady

"It's a unique bodice style for me, not falling across the natural waistline, and I think the result is flattering, helping the skirt skim across any lumps and bumps in ones midsection. I also appreciate the princess seams making it easy to adjust the fit."

Check out Sue's blog (and Acton review) here.

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Shannon - Adventures in Ordinary

"Really like the shaped, paneled bodice and A-line skirt. I think it'll look good in various lengths, too (I have a maxi-length in mind next!)."

Check out Shannon's blog here.

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Katina - I'm Not Tina Wheeze

"I like the option of having the sizes on different layers (although I didn't use it because I got my husband to print it for me this time and didn't want to complicate the request). I also really like the way the pieces were arranged so you could just tape together the pattern parts that you needed."

Check out Katina's blog here. 

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Helen - Helen's Closet

"The Acton dress is very figure flattering and comfortable to wear. I can even wear it bra-less because I chose a heavier fabric! The length is very nice, not too short or too long. I love the princess seams and the tiny straps. The way the straps angle up towards the neck is beautiful."

Check out Helen's blog here. 

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Kate - Sewing with Kate

"I enjoyed the second version much more. It came together very quickly. I have never sewn a princess seam bodice before. I thought it would be hard. It wasn't!"

Check out Kate's blog (and Acton review) here. 

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Caz - Useful Box

"Emily - I love your patterns and how they fit together. Especially how the corners are prepared and then fit together nicely. It reminds me of all my pattern making classes at college. They appeal to my logical brain! ... I love the princess bust line - that fits me perfectly. I also love how the bodice to waist seam is so flattering. I also love there is lots of room in the skirt for hips and bumpy tummies. Also love the pockets - everything should have a pocket!"

Check out Caz's blog here. 

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Åsa Maria - Made by A M Borg

"I especially like the a-line skirt and the narrow neckline and the shape of the bodice. I feel very comfortable in this "shape". Looking forward to summer here in Norway so I get to use it. It's way to cold here now."

Check out Åsa Maria's blog (and Acton review) here. 

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Suzanne - Dressed in Pretty Little Things

"The Acton dress is exactly what I have come to expect from an indie sewing pattern, well executed with a whole lot of love and attention behind it... I really like the fit of this pattern, being bigger busted I normally avoid higher necklines and under bust seams as they normally sit on top of my bust. But this a beautifully drafted pattern."

Check out Suzanne's blog here. 

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Sarah Walker 

"I love bodices that are shaped with seams rather than darts - somehow just more satisfying to sew. And the lined bodice meant sewing was quick as you didn't need to worry about finishing seams... I love the design - it's actually different, rather than another fit and flare dress, and the instructions strike a good balance between explaining the steps and understanding nobody wants to spend half of their sewing time reading!"

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Marie-Fleurine - Sew Marie Fleur

"The fit is great, I love having the pattern both with and without seam allowances and the instructions are detailed. It's definitely one of the indie patterns with high quality fit and instructions."

Check out Marie-Fleurine's blog (and Acton review) here.

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Cindy - Caliana Design

"It is super detailed and each notches line up perfectly. As I made my muslin and my final dress, I thought how quick and simple it seemed to be when I was sewing it together. After the initial fit issues, I was able to complete the dress in less than 2 hours, kids interruption included ;)."

Check out Cindy's blog here.

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Lilith - Old Maiden Aunt

**Lilith added an extension to the bodice. This section is not part of the pattern.  

"I learned a couple of things about curved seams as it's my first time sewing a fitted bodice that joins a curved line to a straight line (joining the two front bodice pieces together) - it creates a really flattering fit!"

Check out Lilith's blog here. 

Think you'd like to make yourself an Acton? Take a look at the product listing. 

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The Acton pattern is finally here!

I am so excited to let you know that the Acton pattern is finally here!

For those of you who have been following along with me for a while, you will know that this lady has been in the works for a long time! But I must say that after all the hours spent on it, I couldn't be happier. She is a real beauty and I am ecstatic to be sharing her with you today.

The pattern is available in 10 sizes, from bust 76cm (30in) - 131cm (51.5in). 

View A features a fitted bodice with a low back and thin shoulder straps. The skirt is A-line, and includes (optional) in-seam pockets in the side seams.

View B features a fitted bodice with racer-back and thin shoulder straps. The skirt is a wrap that can be tied in a number of ways to achieve different silhouettes.

By working through this pattern, you will gain confidence in: achieving a great fit, working with tricky fabrics, sewing princess seams, inserting an invisible zip and lining a garment. 

I also chose to do things a little differently this time, and decided to illustrate the instructions (after I learned that the general consensus is for illustrations instead of photos). 

Check out the pattern now.

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How to : Lengthen a pattern

You may have seen that earlier this week I did a post on "How to Shorten a pattern," so today I thought I'd do a post on how to lengthen a pattern! The principle is exactly the same, you just need to add access length, instead of removing it. 

As I said in the previous post, sometimes you can simply add some length to the hem of a garment, I would use this method in the case of a straight skirt, sleeve or trousers. But there are times when you may want to add the excess length to the interior of a pattern piece, so that the piece still fits properly with the rest of the pattern. For example, if you wanted to lengthen a sleeve that had a cuff, you wouldn't want to just add the extra length to the bottom. You would be extending the length of the placket too, and maybe even changing the shape of the sleeve overall. This is also the case if you have a pattern with an interesting shape - such as an A-line dress. You would not want to just add the extra length to the bottom of an A-line dress, as you could end up with a shape far more extreme than you anticipated!

For the case of the example, I will use the simple summer top pattern I showed you how to draft a few weeks ago. 

Trace the original pattern

Take a copy of the pattern, with seam allowance. Normally when making alterations to a pattern I suggest to remove the seam allowance, but with something as straight-forward as this, there's really no point removing it. Take note of any important details, such as pattern markings (notches etc.) and the grainline.

Draw a horizontal line through the pattern, roughly half-way between the armhole and the hem, on the side seam. If you are using a ready-made pattern, it is likely that your pattern will have a "Lengthen and shorten line" already on it, so you can skip this step. 

Cut through the horizontal line, splitting each piece in two. 

Add paper to compensate for excess length

Work out how much length you would like to add to the pattern. This is when a toile can really come in handy!

For the sake of this example, I will be adding 5cm (2") to the length of the top.

Take two small pieces of pattern paper (this is a great way to use up those scraps of paper you have laying around) and stick  to the back of the top half of both your pattern pieces (ensuring you have enough room below the pattern piece to add the excess length).

On the paper that you just attached, draw a horizontal line 5cm (or whatever length you are adding) down from the cut line (parallel to the bottom edge of the pattern). 

At this stage you can also extend the centre front and centre back lines of both your pattern pieces onto the attached pieces of pattern paper (if your pattern doesn't include the centre front or centre back - for example, on a sleeve - you can just extend the grainline).

Add length

Take the lower pieces of your pattern, and using the lines as guides, stick the pieces in place on the paper.

Re-trace pattern

Take a separate piece of pattern paper and trace the new pattern pieces, creating a new side seam that runs smoothly between the underarm and the hem. 

Finalise the pattern

Be sure to add all pattern markings, as well as the grainline. And you're done!

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